The Audiobook Diaries | Week 13

Happy too-hot Friday, friends and bookworms!

Thank kittens for fans and ice cream in this heatwave *melts*

It’s been a busy week of listening to my audiobook’s chapters. I’m nearly there, and am hoping to finish early next week. (having said that, I won’t have time on Tuesday, so I’ll either double down on Monday or finish on Wednesday)

You might think that this means I don’t have anything to share, but I have a few insights today about how to provide your narrator feedback and what should go into your audiobook’s outro.

If you want to remind yourself what happened last time, check out Week 11. If you’re new here and would prefer to start at the beginning, start here with Week 1.

The Audiobook Diaries | Week 13

Quality Control

Since Monday, I’ve spend one or two hours every day listening to the chapters while reading along with my paperback copy. This does get a bit same-y, but it’s important to ensure everything is as it should be.

Most chapters have been fine, but I’ve found a few smaller problems like a sentence read twice or a word missing or changed. I’m not actually too worried about the latter unless the missing or changed word changes the meaning, so I only point out the ones where it makes a difference.

It’s important to remember here that unlike me, my readers (listeners?) won’t read along with the paperback. They’re highly unlikely to know if my narrator reads ‘as’ instead of ‘since’. (bad example because this specific substitute didn’t happen, but I can’t think of one that did :|) The meaning is the same, so I’m happy.

How to Give Feedback

On your FindawayVoices Production page, you have the option to add a comment to every uploaded chapter. When you find something that’s not right, the best way to present it is like this:

The Audiobook Diaries | Week 13 - An example of feedback for my narrator on an audiobook chapter

This tells your narrator when the error occurred, the exact sentence you found the error with, and what the problem is.

You get this comment box for every chapter, so any feedback you provide will already be in the right place provided you clicked the right chapter number.

It can be tempting to highlight everything, but the best thing to do is to not be nitpick-y.

As authors, we naturally read the book a certain way–we wrote the things, after all! Of course we read everything our way. Your narrator, however, will not read your book your way but their way. That doesn’t make their interpretation wrong, so don’t get hung up on it.

I know I’ve said that before, but I think it’s important to say it again and again. The last thing you want is a negative relationship with your narrator! They are professionals, remember? They know their stuff–and in this case, they probably know it better than you do; having written the book doesn’t also make you the expert narrator.

Your Book’s Outro

I got an email from FindawayVoices this week. My narrator reached out to them about the outro–what did I want her to read for it? What about the production copyright–what should she say?

Now, in case you’ve forgotten, this is my first time, so my reaction was something like:

‘… like, the acknowledgments? Production Copyright? If you don’t know…’

I replied and asked for clarification. It’s probably something super easy and I’m just not coping well with this heatwave, but in the first instance, I was clueless.

As usual, they got back to me within a day. This is the common structure FindawayVoices recommends:

‘This has been [Title], Written by [Author Name], Narrated by [Narrator Name], Copyright [Year of Manuscript and Name of Rights Holder], Production Copyright [Year of Audiobook Production] by [Rights Holder]’

To use my book as an example, it will be:

This has been Rise of the Sparrows, Written by Sarina Langer, Narrated by Leanne Yau, Copyright 2016 by Sarina Langer, Production Copyright 2020 by FindawayVoices.

If you’ve ever listened to an audiobook before, you’ve likely heard this structure right at the end of the book and will be familiar with it.

Summary

This week, I’ve listened to most of my chapters and have left feedback where necessary. Most ‘errors’ I’ve found were either a sentence read twice or a missing/changed word that alters the meaning of the sentence.

What’s Next?

Next week should be exciting, because I’ll finish my part in the quality control stage. I’m assuming my narrator will add the words she’s missed, and the twice-read sentences will be cut in editing – she might even already be on it!

If all goes as extremely well as it does in my head, I’ll approve the audiobook by the end of next week, which makes the next stage payment and uploading, I think *mild freak-out*

FindawayVoices might also do their own quality control, and of course they chapters will need to be fused together to form one book – right now, they’re uploaded individually.

Either way, I imagine next week’s post will be exciting!

If you have any questions about this process, leave a comment and I’ll reply asap.


For all entries in The Audiobook Diaries, look here.

Sign up to BOOKISH WITH SARINA for updates on my books, excerpts, early cover reveals, and a free short story and novella.

Take me to the Welcome page.

August Goals – All About the Audiobook

Happy August, friends and bookworms!

This month will be all about my audiobook version of Rise of the Sparrows. My narrator finished recording over the weekend, so it’s my turn!

Because I don’t know how long this will take, I don’t want to set too many goals. The audiobook is the priority, and we might have to return to one or more chapters several times, so it’s hard for me to judge how busy this will keep me.

So, this is my short list for this month:

The Rise of the Sparrows Audiobook

My priority.

For more information, keep an eye on my audiobook diaries!

The Silence of Magic

I’ve made a good start last month, but now I want to keep the momentum going. I won’t set a word count goal for this month though – I’ll write as much as I can when I’m not working on the audiobook.

Blood Wisp

Now that the pressure of Camp NaNo is over, I can dedicate more time to this WIP again. I feel like I’ve been saying this for months – and I probably have been – but it’s finally time to return to this trilogy!

I have some re-outlining to do, followed by some re-ordering of chapters, followed by writing new ones and improving the draft I already have.

All this will take time, so the only goal I dare set right now is the re-outlining and re-ordering. Everything after that will be a plus!

And that’s it! Short and sweet 🙂


Sign up for my mailing list for updates on my books, excerpts, early cover reveals, and the exclusive freebies Shadow in Ar’Sanciond (the Relics of Ar’Zac prequel novella) and Pashros Kai Zo (a Relics of Ar’Zac short story, which isn’t available anywhere else).

Take me to the Welcome page.

July Progress | Camp NaNo Success!

Can you believe July is over after today?? :O It’s been a busy month, that’s for sure!

My burnout has reminded me two or three times this month that it is not, in fact, over, but still watching me very carefully from the shadows. I overdid it a few times, so I’m still being careful after all. What can I say? These things take time.

Having said that, prepare to be dazzled with all my progress:

Brightened Shadows

IT’S WITH MY EDITOR

and I’VE SEEN THE COVER PROOF

It’s all happening now ^-^

I’m nowhere near ready to do a cover reveal (for once, I wasn’t instantly in love with the proof, and my designer is now on holiday until the middle of August), but it’s coming, friends and bookworms.

I also changed my NaNo goal at the last minute to include all remaining edits of Brightened Shadows – this was to prepare it for my editor. I focussed on this goal and reached it first, so I got my biggest Camp goal done before I could switch to the fun project:

The Silence of Magic

Working on Brightened Shadows first didn’t leave me much time for The Silence of Magic, but I made tons of progress towards the plot itself. I actually know where I’m going with this book now o.o

And it’s been quite a journey! I went from only having a faint idea and rough goal to having half-plotted the book and worrying it wouldn’t be a series after all but a standalone (and then worrying that wouldn’t work very well) to having the rest of it plotted and realising that it has all the series potential. So it’s been that kind of roller coaster!

I’m very nearly at my NaNo word count goal. Today’s writing session will do it. I’m cutting it a little close, but as long as I can reach it today, I’m happy.

Blood Wisp

Not gonna lie, I could have re-outlined this book this month, but I chose to prioritise The Silence of Magic – partially because, as I mentioned above, I’m cutting the NaNo deadline a little fine.

But Camp will be over after today, and Yua will get more of my attention again.

I bought and read Save the Cat! Writes a Novel this month, which will be a huge help when I start the new outline. It’s already helped me make sense of The Silence of Magic, and I’m confident that it’ll help me figure out Blood Wisp and its sequels too.

This Blog

You might have noticed that I haven’t changed anything yet, but I’ve got things scheduled for August!

Again, the delicate combination of Camp NaNo pressure and burnout-waiting-to-return meant that I didn’t push myself. But things are lined up and coming next month 🙂


Sign up for my mailing list for updates on my books, excerpts, early cover reveals, and the exclusive freebies Shadow in Ar’Sanciond (the Relics of Ar’Zac prequel novella) and Pashros Kai Zo (a Relics of Ar’Zac short story, which isn’t available anywhere else).

Take me to the Welcome page.

The Audiobook Diaries | Week 11

Remember how we went from Week 5 straight to Week 8 because there was no news? And see how we jumped right to Week 11 now?

Well, things are now happening fast!

See the links above if you want to remind yourself what happened last. If you’d rather catch up from the very beginning, read the audiobook diaries from Week 1!

The Audiobook Diaries | Week 11: Approving the sample and going into production

The Extended Sample

Sunday afternoon, I got this email from Findaway Voices:

The Audiobook Diaries | Week 11 - extended sample notification

*ensue minor freak-out*

My narrator had read and uploaded the entire prologue, and it’s fantastic. I had goosebumps at all the right moments when I listened to it, and I can’t wait to share it with the world!

I listened to it on Monday, and then I slept on it – the last thing I want to make are rash decisions because I got carried away in the excitement!

So, on Tuesday, I started to listen to it again…

and immediately stopped.

The Audiobook Diaries | Week 11 - Production dashboard
The production dashboard once the extended sample has been uploaded

As great as the sample of the prologue is, my main character doesn’t feature in it. Her story – and therefore the overall tone – doesn’t begin until Chapter 1. I felt that, while the prologue was fantastically read, it didn’t really give me an insight into how my narrator would read the rest. The prologue sets everything up, true, and it sets the tone, but my main character isn’t in it, so it didn’t feel like the right example.

I emailed FindawayVoices and asked if it’s possible to get a sample of the first chapter. Now, I understand that this is potentially inconvenient and that they likely do a sample of the first 10-15 minutes, not whatever chapter the author wants (I mean, they’d just have asked right away if that were the case), but I wanted to ask. Just in case.

FindawayVoices got back to me (very fast, as always!) and said that’s perfectly fine – I can request it myself with the handy Request Second Sample button. I thought that was just for revisions on the sample I already had, so lesson learned and sample requested.

My narrator was just as reliable, and had uploaded the new sample by the next day.

This morning, I approved the sample. The production is now officially underway!

How to Review Your Extended Sample

This is daunting when you’ve never done this before and want to provide helpful feedback, but good news! You need not fret, because FindawayVoices sent me guidelines for reviewing the extended sample.

The Audiobook Diaries | Week 11 - how to review your extended sample

They had included a link in the email, and I could find the same link again on the production page. You’ll see both in the pictures above.

If you’re happy (and have hopefully slept on it first instead of rushing your decision) with the sample, you can click the green Approve Sample button.

If you had some issues with it, like your grim murder mystery being read too cheerfully or an accent being wrong, you can add a comment next to the Play button and request another sample of the same chapter.

You get up to two revisions of your sample, so you can make sure that you and your narrator are on the same page before you approve it.

This is not an invitation to show your narrator how it’s done.

It’s your book. It will inevitably sound a certain way in your head, but you need to accept that it will sound another way in your narrator’s head. You’re two different people – they won’t read it exactly like you read it to yourself. This is fine.

Remember that your narrator’s reading is their interpretation of your book. Accents and pronunciations of words you’ve made up are important, but you don’t need to micro-manage every little detail. In fact, you shouldn’t. You’ll only put off your narrator, and that’s not the right way to approach this professional relationship.

Your narrator is just that – a trained professional. They know what they are doing, so trust them to do their thing.

This is an opportunity to communicate with your narrator.

Up until this point, all communications has happened via FindawayVoices, but whatever notes you add to the sample will be seen and answered by your narrator.

I really appreciate the chance to talk to her personally (well, via chat, sort of), and it’s been nice to see that we want the same things.

Mistakes in Your Book

As we all know, no book is perfect. Every book has small errors in them – that’s just the nature of novels. Pick any book off your shelf, and I guarantee there’ll be at least one mistake.

Rise of the Sparrows is my debut novel, and I have put more work into it than the others because of that. When I first published it, I had 12 beta readers and got a professional proofread. When I re-edited it last year, I had the reviews as feedback and the chats about it with good author friends. I got a developmental edit, a line edit, and a proofread. I rewrote everything before I got my editor involved last year, and read over everything again when we were done.

It’s fair to say that we didn’t go easy on this book.

But my narrator still found three mistakes in the first five pages alone.

My first reaction was worry – we can’t have missed those things… so did I upload the wrong versions everywhere? o.o

I checked the extended sample against my version and against the version my editor sent to me last year, and I uploaded the right versions. My 12 betas, critique partners, own rewrites and edits, and my editors developmental edit, line edit, and two proofreads just… missed them.

Friends, that’s normal.

We all want to think that, when we make our books available for sale, they’re flawless, but that’s never the case.

So, if you’re considering getting your own audiobook, be prepared for some surprises–

And don’t forget to fix them in the ebook, paperback, and box set!

Summary

I approved the sample. The production of the full audiobook is now underway! *throws confetti*

What’s Next?

My narrator is hard at work recording the entire book, and she told me that she’s on track to finish by the end of July.

Does that mean we’re done?

No.

Once she has uploaded the chapters, I listen to them and make a note of everything that’s not quite right – mispronunciations, missed words, background noise, etc.

As I mentioned above, things are moving fast now, so I expect I’ll have another update next week!

If you have any questions about this process, leave a comment and I’ll reply asap.


For all entries in The Audiobook Diaries, look here.

Sign up to BOOKISH WITH SARINA for updates on my books, excerpts, early cover reveals, and a free short story and novella.

Take me to the Welcome page.

July Goals | All the Camp NaNo excitement!

Happy JULY, friends and Sparrows!

My burnout is finally over and I feel like myself again, so my to-do list is finally looking a bit more ambitious! I’ll keep this post short so I can get to work *does little ready dance*

Brightened Shadows

I’m thrilled to finally be making good progress with this book. My read-through is well underway and my editor knows it’s coming her way this month!

I loved writing this sequel to my duology, but I’m at a point now where I don’t want to look at it any more. I’m very ready for my editor to do her thing!

The Silence of Magic

I’m so pleased that I’ve chosen this WIP for my NaNo project! I’ve been excited about this book and its intricate world for years, and I can feel it restoring my creative well as I’m writing and plotting. It’s kinda been a blessing so far. I know it won’t last forever, but right now I’ll treasure it.

I’ve set my NaNo goal to 15k to allow for burnout prevention, and I have a feeling I’ll reach it pretty quickly! I’ll need to fill in some world-building details along the way, and that alone is pure rejuvenation for me <3

Blood Wisp

Now, I don’t want to give myself too much to do and fall right back into burnout, but the plan is to return to BLOOD WISP once BRIGHTENED SHADOWS is with my editor. I’m usually editing one book while writing another, so it should be fine.

BUT, if I can feel my burnout returning, I’ll put it back on hold. Right now, I feel fine, but I’m also very aware that a two-month-long burnout is likely to have some lingering effects, so I’ll be careful.

This Blog

See above note about careful burnout prevention…

All being well, I’d like to get back to posting once a week. I’ve got a few ideas for regular posts, so technically I just need to make it happen now. And if you have any ideas for what you’d like to see on an author blog, let me know! I’m all ears.

What have you got planned this month? Share a tea with me and let me know.


Sign up for my mailing list for updates on my books, excerpts, early cover reveals, and the exclusive freebies Shadow in Ar’Sanciond (the Relics of Ar’Zac prequel novella) and Pashros Kai Zo (a Relics of Ar’Zac short story, which isn’t available anywhere else).

Take me to the Welcome page.

The Audiobook Diaries | Week 8

No, you haven’t missed Weeks 6 and 7. It’s just been quiet, so there’s been nothing to report! I do have a small update today, but first…

If you’re new to my audiobook journey and would like to follow along from the beginning, you can find all updates here. If you’d like to remind yourself what happened last time (it was three weeks ago), you can read Week 5’s entry here.

Because this is such a short update, there won’t be a summary at the end. There’s no need, as you will see. *shrugs*

The Audiobook Diaries | Week 8

Clarification

Earlier this week, I received an email from Findaway Voices. My narrator is pretty much done taking notes and ready to start recording from what I gathered, but she asked me to clarify a few things, such as whether a character at the end will be important in the sequels (this matters because if he is important, she’ll create a voice for him) or how to pronounce the many words I made up, like country names.

Today, I will put together that guide and send it over.

I’ll also include a note to say that the release date I set is very flexible since I didn’t know what I was doing. The last thing I want is for my narrator to stress over a deadline that doesn’t really exist!

And that’s it for this week. See? No summary necessary 🙂

If you have any questions about this process, leave a comment and I’ll reply asap.


For all entries in The Audiobook Diaries, look here.

Sign up to BOOKISH WITH SARINA for updates on my books, excerpts, early cover reveals, and other exclusive freebies such as the short stories All that I Can Be and Bubak.

Take me to the Welcome page.

June Progress | An Unexpected WIP & #burnoutisabitch

Remember how I mentioned back at the end of May that I had burned out badly? Well, friends, it’s taken me all of June to recover.

Take that as your friendly reminder to look after yourselves <3

I’m not quite there yet, but it’s getting there, and I’ve made self-care a priority. The moment I sense burnout winking at me from the shadows, I take a break – no questions asked, no arguments.

As you can probably imagine, I didn’t get as much done this month as I might have liked, but I’m proud of what I did manage, and I remind myself that burnout is a bitch whenever I feel like it’s not enough.

Brightened Shadows

I’ve gone over all critique partner feedback and have made a note of things to adjust when I read over it again, which I’ll start doing today. I’ve also sent the chapter headings to my editor ahead of the book since some of my critique partners felt they were repetitive. I split opinions there – half thought they were repetitive, half thought they weren’t.

The Rise of the Sparrows Audiobook

I’ve booked my narrator, we’ve signed the contract, and she’s currently reading the book to take notes and prepare herself.

For all other updates and details, please check out The Audiobook Diaries.

The Silence of Magic

Honestly, this was a pleasant surprise to me. Camp NaNo begins tomorrow, and I was in the uncomfortable position of not wanting to work on any of my WIPs. (#burnoutisabitch)

Now, I really like NaNo, and since I’m unlikely to have time for the big event in November, I wanted to at least do both camps. But what to work on? All my WIPs made me feel like I was slipping back into burnout, and that’s the last thing I want!

That’s when I wondered about this idea I’ve had for years. I’ve mentioned it here and there, but I wasn’t expecting to start work on it any time soon.

And yet, the moment I considered it I felt excited.

Friends, I haven’t felt excited in months!

It feels beyond indulgent to work on THE SILENCE OF MAGIC when BLOOD WISP needs so much work and when BRIGHTENED SHADOWS still isn’t with my editor, but I feel good about this. It’ll be nice to work on a book and actually enjoy myself! I’ve been missing this feeling for months, so TSoM will be my NaNo project.

I’ve spend the last few days preparing for it, naming characters and sorting out the backstory that’s responsible for the main plot. I don’t have as many details worked out as I usually would, but that’ll be part of the joy! I’m excited to discover this vast lore-rich world alongside my characters.


Sign up for my mailing list for updates on my books, excerpts, early cover reveals, and the exclusive freebies Shadow in Ar’Sanciond (the Relics of Ar’Zac prequel novella) and Pashros Kai Zo (a Relics of Ar’Zac short story, which isn’t available anywhere else).

Take me to the Welcome page.

The Audiobook Diaries | Week 5

Not much to report this week! The waiting for uploads has officially begun *throws confetti*

If you’re not up to date on my audiobook’s progress and would like to catch up first, you can find the whole process here.

The Audiobook Diaries | Week 5

Production Notes

As mentioned last week, I got the production notes form late last Thursday. This might sound daunting if it’s your first time, but it’s actually very straightforward. You get instructions and examples with the form, so if you’re not sure what to do, you can just follow those!

The Audiobook Diaries | Week 5 | Production Notes Instructions

In the production notes, you specify things like individual character accents, tones, the pace of the story, the overall feeling you want to achieve, and there’s even room for other notes at the end, so you can make sure your narrator has all the necessary details before they record the extended sample.

Once you’ve filled everything in, you upload the notes to the Audio page for your project. It looks something like this:

The Audiobook Diaries | Week 5 | FindawayVoices Dashboard

I’ve received emails for every bit of progress, but you’ll also be able to see all changes on this dashboard.

One important thing to note is that you need to upload your production notes as a PDF. I tried to upload a .doc and got an error message I didn’t understand (#notechskills) and that disappeared again before I could show my IT SO, so I just tried a PDF and that worked in seconds. It doesn’t mention this when you go to upload it, so I wanted to mention it.

Two Things I Was Confused About

I’m fortunate enough to be enrolled in the Voices Share program, meaning I only pay half and then share my royalties when the audiobook is out instead. It’s not a given that you’ll be accepted – anyone can choose it, but if you don’t have the social proof and haven’t sold enough copies (I don’t know what that magic number is), you might not be accepted.

For some reason, I got it into my head that I had to pay half up front – as in, before my narrator starts recording.

I’ve emailed them – possibly twice, bless their patient souls – and they have confirmed that I won’t pay anything until we’re ready to publish the audiobook.

So, if you also want to apply for the Voices Share program:

You pay half once the audiobook is ready to be published, not before the recording starts.

Not sure where I got that idea from, but I wanted to clarify it in case other people get confused as easily as I do *nervous laugh*

The other thing I emailed them about was the fee in the contract. As I’ve said above, Voices Share means I pay half plus I’ll share my royalties, but the fee included in the contract was the full fee.

FindawayVoices, as always, responded very quickly to my call for help and explained that everything is fine, this is normal, and as long as it states in the contract that I’m enrolled in the Voices Share program, I won’t pay the full amount.

All good, kittens.

I firmly believe that narrators should absolutely be paid what they’re worth. But as someone who doesn’t have a lot of money to spare right now, having to pay twice as much as I expected could have been disastrous for me. So, I’m grateful they replied so quickly and put my worries to rest.

Summary:

  • I’ve uploaded my production notes (this needs to be a PDF!) and am awaiting the extended sample.
  • In the Voices Share program, you pay half once the audiobook is ready to be published, not before the recording begins.
  • If you got into the Voices Share program, the contract will still state the narrator’s full hourly fee. This is normal. As long as the contract also states that you’re enrolled in Voices Share, you will pay half.

What’s Next?

I don’t know how long I’ll need to wait for the extended sample, so for now, I’ll… well, I’ll wait. It’s not very exciting, but that’s all I’ve got this week! Once I have that – and again, I don’t know how long it’ll be, so I might not have news next week! – I’ll listen to it, get any feedback I might have back to my narrator, and then the recording will begin.

We’ll see where we’re at next week, hm?

If you have any questions about this process, leave a comment and I’ll reply asap!


For all entries in The Audiobook Diaries, look here.

Sign up to BOOKISH WITH SARINA for updates on my books, excerpts, early cover reveals, and other exclusive freebies such as the short stories All that I Can Be and Bubak.

Take me to the Welcome page.

The Audiobook Diaries | Week 4

Friends, a lot has happened since last week’s update! Make a tea and settle in, because there’s a great deal of excitement ahead.

To remind you of where things were at this time last week:

Findaway Voices had sent me eight narrator recommendations. I listened to everyone’s samples, made a short list, and requested an audition from five.

Then, I waited.

Later that same day – after I’d posted the update – I had two auditions, and it may have been the most exciting moment of my life.

If you want to catch up before moving on, you can find every entry here.

As always, there’s a summary of this week’s progress at the end of this post.

The Audiobook Diaries | Week 4 | Choosing and Booking My Narrator with FindawayVoices

The Auditions

Out of five requests, I got two auditions, so I was pretty chuffed with that!

I listened to both several times, trying not to flail too hard as two wonderful ladies gave my characters a voice.

It was such a surreal moment for me. I kinda just smiled at my screen with blank eyes as I listened to every word.

Both narrators did amazing jobs, but they were also quite different to each other. I loved both and struggled to choose.

Fortunately, I have critique partners who were happy to help, and by Saturday, I’d pretty much chosen.

I still waited until Monday just in case I changed my mind, but I didn’t and pressed the exciting/daunting BOOK NARRATOR button.

I got these two screens next:

The Audiobook Diaries | Week 4 | Narrator Booking Confirmation Pop Up
The Audiobook Diaries | Week 4 | Narrator Booking Confirmation

I’ve blacked out her name for now since nothing is official or signed yet. To be honest, this is probably overkill, but since both of us can still pull out at this point, I don’t want to make anything look official.

Production Notes and the Contract

Last night, I got an email.

The Audiobook Diaries | Week 4 | An Email from FindawayVoices requesting production notes and the contract signature

IT’S HAPPENING

*throws confetti*

(I mean, it’s probably happening. As I said above, we haven’t signed anything yet, and I never like celebrating too soon.)

So, things are suddenly moving very quickly. This time last week, I didn’t have the auditions yet and was hoping that at least one of my five would be interested. Fast-forward a week and I’m about to sign the contract and my narrator is getting ready.

A Shout-Out to FindawayVoices

The fourth week of my journey into audiobook production is about to end, and so far, I’ve had nothing but a good experience with FindawayVoices.

On the few occasions when I’ve emailed them with questions, their team got back to me quickly with helpful answers and a friendly tone.

Everything has been easy, clear, and professional, even to a complete newbie like me.

So far, I’m very pleased that I chose them to produce my audiobook, and can only recommend them if you’re considering doing the same.

Summary:

  • I got two auditions late last Friday and listened to both.
  • Since I struggled to decide – they were both incredible! – I asked my critique partners and my editor for their feedback.
  • On Monday, I booked my chosen narrator, and FindawayVoices got in touch with her.
  • Last night, I got the production notes form to fill in and the contract to sign. My narrator is currently reading the book and making notes as she goes, so it’s possible that she won’t like what she reads and cancels, but I’d like to think that’s a small chance.

What’s Next?

I’ll be filling in the production notes over the next few working days (unless there’s a tighter deadline than that – I’ve emailed them to check) and signing the contract as soon as they’ve confirmed one more thing for me.

And then we’re off! :O

All being well, I’ll be able to tell you next Friday that the production is officially underway *high five*

If you have any questions about this process, leave a comment and I’ll reply asap!


For all entries in The Audiobook Diaries, look here.

Sign up to BOOKISH WITH SARINA for updates on my books, excerpts, early cover reveals, and other exclusive freebies such as the short stories All that I Can Be and Bubak.

Take me to the Welcome page.

June Goals | WIP Milestones and Booking My Audiobook Narrator

Happy June, Sparrows and bookworms!

After I’ve burned myself out in May – badly – I vow to do better this month *high five*

The below may not read like much, but they’re all big milestones across all WIPs!

Brightened Shadows

My first priority this June is to go over the rest of my critique partner feedback and make some changes to my draft. Once that’s done, it’ll go to my editor for its line edit. I might also read over everything again before that to make sure I’m happy with the changes and that everything flows well.

Blood Wisp

As I mentioned in the May update, this book is a right mess. Once I’m done with Brightened Shadows and it’s in my editor’s capable hands, I’ll restructure Blood Wisp. I’ve already started, and it’ll be a fairly simple process of copying chapters from the current draft and pasting them into a new draft, without any of that repetition and now-unnecessary chapters.

I’ll have quite a bit of rewriting and adding to do afterwards, but it’ll be much stronger for it when I’m done.

The Rise of the Sparrows Audiobook

I won’t say too much here because details are what my Audiobook Diaries are for, BUT I’ve chosen my narrator and am ready to book her.

I’m a little unclear right now as to how the next steps work (mostly admin-y things), but I’m hoping to wait with production until July to make sure I leave myself enough for living costs.

I’ve gone slightly over budget, but this narrator is perfect for my book, so I’m okay with that.

If they are happy to wait, too, I’ll be booking my narrator this month. I imagine it’ll be fine, but as someone who’s never done this before, I don’t want to make any assumptions.

And that’s my little big update! What are you all up to this June?


Sign up for my mailing list for updates on my books, excerpts, early cover reveals, and the exclusive freebies Shadow in Ar’Sanciond (the Relics of Ar’Zac prequel novella) and Pashros Kai Zo (a Relics of Ar’Zac short story, which isn’t available anywhere else).

Take me to the Welcome page.