Happy too-hot Friday, friends and bookworms!
Thank kittens for fans and ice cream in this heatwave *melts*
It’s been a busy week of listening to my audiobook’s chapters. I’m nearly there, and am hoping to finish early next week. (having said that, I won’t have time on Tuesday, so I’ll either double down on Monday or finish on Wednesday)
You might think that this means I don’t have anything to share, but I have a few insights today about how to provide your narrator feedback and what should go into your audiobook’s outro.
If you want to remind yourself what happened last time, check out Week 11. If you’re new here and would prefer to start at the beginning, start here with Week 1.
Since Monday, I’ve spend one or two hours every day listening to the chapters while reading along with my paperback copy. This does get a bit same-y, but it’s important to ensure everything is as it should be.
Most chapters have been fine, but I’ve found a few smaller problems like a sentence read twice or a word missing or changed. I’m not actually too worried about the latter unless the missing or changed word changes the meaning, so I only point out the ones where it makes a difference.
It’s important to remember here that unlike me, my readers (listeners?) won’t read along with the paperback. They’re highly unlikely to know if my narrator reads ‘as’ instead of ‘since’. (bad example because this specific substitute didn’t happen, but I can’t think of one that did :|) The meaning is the same, so I’m happy.
How to Give Feedback
On your FindawayVoices Production page, you have the option to add a comment to every uploaded chapter. When you find something that’s not right, the best way to present it is like this:
This tells your narrator when the error occurred, the exact sentence you found the error with, and what the problem is.
You get this comment box for every chapter, so any feedback you provide will already be in the right place provided you clicked the right chapter number.
It can be tempting to highlight everything, but the best thing to do is to not be nitpick-y.
As authors, we naturally read the book a certain way–we wrote the things, after all! Of course we read everything our way. Your narrator, however, will not read your book your way but their way. That doesn’t make their interpretation wrong, so don’t get hung up on it.
I know I’ve said that before, but I think it’s important to say it again and again. The last thing you want is a negative relationship with your narrator! They are professionals, remember? They know their stuff–and in this case, they probably know it better than you do; having written the book doesn’t also make you the expert narrator.
Your Book’s Outro
I got an email from FindawayVoices this week. My narrator reached out to them about the outro–what did I want her to read for it? What about the production copyright–what should she say?
Now, in case you’ve forgotten, this is my first time, so my reaction was something like:
‘… like, the acknowledgments? Production Copyright? If you don’t know…’
I replied and asked for clarification. It’s probably something super easy and I’m just not coping well with this heatwave, but in the first instance, I was clueless.
As usual, they got back to me within a day. This is the common structure FindawayVoices recommends:
‘This has been [Title], Written by [Author Name], Narrated by [Narrator Name], Copyright [Year of Manuscript and Name of Rights Holder], Production Copyright [Year of Audiobook Production] by [Rights Holder]’
To use my book as an example, it will be:
This has been Rise of the Sparrows, Written by Sarina Langer, Narrated by Leanne Yau, Copyright 2016 by Sarina Langer, Production Copyright 2020 by FindawayVoices.
If you’ve ever listened to an audiobook before, you’ve likely heard this structure right at the end of the book and will be familiar with it.
This week, I’ve listened to most of my chapters and have left feedback where necessary. Most ‘errors’ I’ve found were either a sentence read twice or a missing/changed word that alters the meaning of the sentence.
Next week should be exciting, because I’ll finish my part in the quality control stage. I’m assuming my narrator will add the words she’s missed, and the twice-read sentences will be cut in editing – she might even already be on it!
If all goes as extremely well as it does in my head, I’ll approve the audiobook by the end of next week, which makes the next stage payment and uploading, I think *mild freak-out*
FindawayVoices might also do their own quality control, and of course they chapters will need to be fused together to form one book – right now, they’re uploaded individually.
Either way, I imagine next week’s post will be exciting!
If you have any questions about this process, leave a comment and I’ll reply asap.
For all entries in The Audiobook Diaries, look here.
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